Antony is currently starring in The Woman in Black at the Fortune Theatre. He trained at LAMDA and has spent the past 15 years working as an actor in regional theatres, national and international touring and in the West End.
His directing and assistant directing credits include SWEENEY TODD, KISS OF THE SPIDERWOMAN (C venues, Edinburgh fringe), SWEET CHARITY (Bloomsbury Theatre), THE VICE, STATE OF AFFAIRS (The Stag Theatre, Sevenoaks), EFFIE’S BURNING (Soho Theatre), FRANNY (Landor Theatre) VANITY FAIR, TRUMPETS AND RASPBERRIES (Royal Lyceum, Edinburgh, dir. Tony Cowney).
His acting credits include YES, PRIME MINISTER (British Theatre Playhouse international tour); BEDROOM FARCE (Oldham Coliseum and Harrogate); SPRINGS ETERNAL (Orange Tree Theatre); WOMAN IN BLACK (West end, UK and international Tour); TAKING STEPS (Oldham Coliseum); CARRIE’S WAR (No.1 UK Tour); CIDER WITH ROSIE, MERCHANT OF VENICE (Theatre Royal Bury-St-Edmunds & Tour); VOYAGE ROUND MY FATHER (New Vic); SOMETHING WICKED THIS WAY COMES (National Theatre of Scotland); THE GLASS MENAGERIE, MRS WARREN’S PROFESSION (Lyceum Theatre); TREASURE ISLAND (Belgrade Theatre, Coventry); HAMLET (Bloomsbury Theatre); GREAT EXPECTATIONS (Unicorn Theatre); THE BALTIMORE WALTZ (Caird co./ Floodtide); LES MISERABLES (West End). Television credits include: DERREN BROWN: APOCALYPSE (Channel 4); THE LANDLADY, KEVIN AND CO, KEVIN’S COUSINS (BBC) and THE BILL (Carlton).
Andrew studied English and Drama at Royal Holloway, University of London, and acting at Webber Douglas Academy.
His first play, COLOURINGS, was produced at Old Red Lion, Islington – and he was chosen by Time Out magazine as one of their “Tips For The Top” in their annual culture review.
Other plays include GO TO YOUR GOD LIKE A SOLDIER (OId Vic Tunnels, London and Underbelly, Edinburgh), CARE (The Bush), WHY DON’T WE MULTIPLY? and WEAPON OF CHOICE (Theatre 503), and ALLIGATORS – which he wrote on attachment at the Royal Court, London in 2013. His first feature film, FOR GRACE, was filmed in March and April of this year.
Paul trained in theatre electrics at City of Westminster College, and currently lectures At the Royal Central School of Speech and Drama, specialising in lighting design, Production lighting, technical and production management.
Credits include: YOU CAN’T TAKE IT WITH YOU and THE REVENGER’S TRAGEDY (Southwark Playhouse, London), GATES OF GOLD (Trafalgar Studios, West End), LIFE ON THE STAIRS (Stratford Rex, London), THE GIGLI CONCERT (Finborough Theatre, London and Assembly Rooms, Edinburgh), BORN AND DEAD (Glory House, London).
Credits include AFTER MRS ROCHESTER (directed by Polly Teale, Duke of York’s Theatre), THE WOMAN IN BLACK (directed by Robin Herford, Fortune Theatre), AN INSPECTOR CALLS (directed by Stephen Daldry, Garrick and Playhouse Theatre), THE SNOWMAN (composed by Howard Blake, choreographed by Robert North, Peacock Theatre. Marion has also worked on numerous opera productions for the Royal Opera House – including THE MINOTAUR (world premiere, composed by Harrison Birtwistle), as well as MIKADO/YEOMEN OF THE GUARD/HMS PINAFORE (D’Oyly Carte Opera Company, Savoy Theatre), LA BOHEME (directed by Dominic Cooke, Grange Park Opera) and FIGARO (directed by Stephen Langridge, Grange Park Opera).